A survey of used books over time.
Read moreAs Is: Signs
June 2-4, 2017
Reception and zine release June 2, 7pm
Good Work Gallery, 1100 Broadway, Brooklyn, NY
goodworkgallery.com
As Is (Signs) is my tribute to Jia Hua Trading Inc, importers and exporters of wholesale gifts and home goods. I purchased several LED storefront signs from Jia Hua just prior to their leaving their 15 West 28th St. location in 2016. The exhibition is accompanied a zine by the same title, with images produced by placing the aforementioned LED signs either directly on a scanner, or in close-proximity to the camera on a mobile phone.
Installation and Reception:
Zine Images:
PACS Gallery
PACS Gallery, a DIY project space named for having existed between Public Assembly and Cubana Social, existed for a short time in a loft space at 70 North 6th St. in Williamsburg. The room typically held rather wild parties on Saturday evenings and on Sunday AM I’d go in, literally shovel-out beer cans, give the room a quick repaint and by about 3pm, was installing that-evening’s one-night-only exhibition. PACS hosted about 25 events in all; the PACS logo was created by Cody Hoyt.
PACS at Paloma South
95 South 4th Street, Brooklyn NY
May 12, 2013
Sunday afternoon. Mothers Day. Paintings. Collections. Drawings. Ceramics. Artists handle their own sales. Paloma South is an apartment. Stop by on your way to Journal. Come after you visit Southfirst. Take a boat. Take a train. Ride a bike. Works on display by Scott Calhoun, Ariel Dill, Ryan Garvey, C.F., Maya Hayuk, Cody Hoyt, E.E. Ikeler, Denise Kupferschmidt, Helmut Smits, Ben Sisto, and Kim Westfall.
Shadow Pests
116 Bushwick Ave, Floor 2, Brooklyn NY
March 20, 2013
With the pairing of Suzy Coady and Yusuke Okada, viewers will meet a cast of playful, sometimes awkward and occasionally crass characters who, like those found in the early adult-themed drawings of Shel Silverstein, deal with sex, love, and life with a childlike humor and playfulness.
Apacsment Show
116 Bushwick Ave, Floor 2, Brooklyn
December 12, 2012
Works on display by Leah Beeferman and Pierre Le Hors, Phillip Birch, Reade Bryan, Elizabeth Ebright, Amanda B. Friedman, Garrol Gayden, Kenya Hanley, Cody Hoyt, E.E. Ikeler, Denise Kupferschmidt, Michael Pellew, Ben Sisto, Joshua Smith, Jeffrey Tranchell, and Joshua Caleb Weibley.
Sightings, Zs, Drainolith, Regression
September 29, 2012
LQQK & Bunce Present:
+ Regression (12:00)
+ Zs (11:00)
+ Sightings (10:00)
+ Drainolith (9:00)
8:30 PM, 21+ w ID
No BYOB, $10
Presentation Party Night
September 16, 2012
Presentations From:
+ Shannon Coffey - Mystery
+ Ryder Ripps - How to Design an e-Commerce Website
+ Erik Bergstrom - The French
+ Melissa J Frost - Architecture Out of Order
Presentation Party Night is a monthly lecture series combining a love of community and education with a taste for beer. Based in Bushwick, Brooklyn, they meet on the 3rd Sunday of each month to share and discuss various topics spanning history, pop culture, current events, and the utterly indescribable. Aesthetically, PPN is a bit closer to a DIY loft party than it is say, Ignite or TED talks. Presenters range from local pro’s to first-timers and there’s a healthy mix of laughing, factoids, and open-ended Q&A. Limited complimentary beers from our good friends at Asahi.
Sean Micka's Christine
September 17, 2012
Christine is a character based in New York City. She sets up situations that invite viewers to contemplate, interrogate and/or negotiate various ways in which art and finance function within a political economy. For better or for worse, her work focuses its attention on auctions, examining artworks, antiques and precious jewels i.e., as objects of financial speculation. She also is frequently concerned with the phenomena of “the contemporary” as an ambiguously defined idea in modern art, i.e., periodization of the present. Christine is frequent collaborator with artist Sean Micka.
E.E. Ikeler: KISS/KIZZ
September 18, 2012
Drawing on the history of abstraction within Western Modernism, Brooklyn-based artist E.E. Ikeler’s work, as exemplified with KISS/KIZZ, inserts feminist and queer content through nontraditional materials while maintaining a level abstraction. It’s a task that the artist feels has often been assumed to lack legibility in mainstream art criticism. In response, various experimental strategies assert that form and content are not discrete characteristics of art works, but rather, like our minds and bodies, are one in the same.
Permanent Collection
September 19, 2012
Artists come to own work by other artists in a myriad of ways. Sometimes it’s bought, often it’s in trade, as payment for general labor, and here and there it’s rescued from a trash can. Sometimes it’s a piece that’s been long-desired, other times a bit of a white elephant. Since we’re all struggling for space to store all this stuff, not all works “make the cut” as they say, when artists move between studios and dwellings. But for this one-night exhibition, 10 artists reach into our personal collections and display works that have made the cut. Curated by Ben Sisto (PACS) and Denise Kupferschmidt (Apartment Show).
Artypes Salon 3: “Portrait”
September 20, 2012
Artypes is a series of Art Salons. For each Salon, a variety of contemporary artists are asked to make work prompted by a type of art. Salon No. 3 will include “Portraits” by well over 60 artists, which will be Artypes’ largest Art Salon to date. Art Salons are free to the public. Art can be purchased from the Artists, and Drinks from the Bar.
The Next 50 presents: Long Distance Poison
June 11, 2012
Long Distance Poison, with the help of Matthew Caron and ESP TV, produced a new work in Brooklyn at PACS Gallery that was simultaneously transmitted via HAM radio into outer space, projected before a live audience at the PLAYHOUSE/INTIMAN Theater in the Seattle Center, and broadcast live on the internet. The work is called A Third Signal to A Habitable Zone.
Phillip Birch: Worldless on a Wire Part 1
May 21, 2012
What is authentic? How do we experience a thing? What is thingness versus thinghood?Can a thing be in itself? What makes one a radical? How do you define yourself as a radical? Can we place ourselves in the role of the other? Is there an other? What is necessary and what is enough? Is there enough? Is there a difference between transcendent and pedestrian? Is there a crisis? Are there infinite Earths? Who is your service provider? Is this relatable?
Phillip Birch lives and works in Brooklyn, NY. He has exhibited at Cleopatra’s, Clifton Benevento, Artists Space, Envoy and Apartment Show. He is currently attempting to learn to juggle. He has been attempting this for years now.
Sto Len and Man Forever: Video
June 2012
Our buddy Sto of Cinders Gallery was here recently, painting away. PACS hosted a music video shoot for Man Forever, who recently signed to Thrill Jockey. MF is the brainchild of John Kid Millions Collpits, who’s best known as the drummer for Brooklyn’s own Oneida. The live lineup is always in a state of flux, but members of Vampire Weekend, Blues, Yo La Tango, Yeah Yeah Yeahs and more have stopped in on previous engagements. Here’s some photos from the shoot, and you can see the video / read more via Impose TV.
Cody Hoyt, Greeting Disorder
March 27, 2012
Greeting Disorder is a one night exhibition of recent works by Cody Hoyt. A limited edition publication will accompany the show.
Get Rich or Die Mayan 3 aka The Maze Benefit
March 18, 2012
Amanda B. Friedman: Thought-forms
March 26, 2012
Amanda B. Friedman explores cognition, perception, and the distance between self, others, and the world. Her paintings, paper constructions, and drawings are informed by research on mental space - both inside and outside of the head.
Friedman has participated in residencies at Vermont Studio Center, VT; Millay Colony for the Arts, NY, and at Virginia Commonwealth University, VA. Selected group exhibitions include Backyard Projects, NYC; Clifton Benevento, NYC; St. Cecilia’s Convent, Brooklyn; and with Apartment Show, Brooklyn. She lives in Brooklyn, NY.
Also, this show marks the 1-year anniversary of PACS. Thanks so much to everyone who’s come out and supported!
Joshua Smith: Here is a Hand and Here is Another
February 27, 2012
Joshua Smith is an internationally exhibited painter. He was cofounder, with Denise Kupferschmidt, of the itinerant group-show Apartment Show. He was born in Texas, raised in Michigan, and lives and works in Brooklyn, New York.
Get Rich or Die Mayan 2:
Sunday, February 19th 2012
Sam from Z’s and Duncan from Bunce put this together as part of a series of parties benefiting the You Are Here Festival, aka THE MAZE, which took in July 2012 at Secret Project Robot in Brooklyn, as well as in October 2012 in Berlin, DE.
Live sets from:
+ Hubble
+ Diamond Terrifier
+ White Suns
+ GDFX
+ DJ Marty McSorely
+ Projections by TROUBLE
$10 | 9pm | 21+
Jeffery Tranchell
January 30, 2012
Born in Owosso Michigan, Jeffrey Tranchell lives and works in Brooklyn, New York. He earned his BFA in 2005 at College for Creative Studies in Detroit, Michigan. An art-handler by day, Tranchell is exposed to a lot of waste - from bubble wrap & foam being tossed into dumpsters to hydrochloric acid poured down drains. A fan of Maciunas’ use of “waste”, all that pure-tossing doesn’t sit well with him.
In his solo show at PACS, Tranchell displays about a dozen paintings which repurposes materials such as torn coat linings, plastics, and broken canvas stretchers to suggest that all objects have potential, some purpose that consumes objects apart from their intended use or despite their “broken” state. Most artistic activity unavoidably generates a little trash, and Tranchell’s intent is not to condemn artists who fail to use every part of the buffalo….he’s just trying to find a place for all this stuff.
Denise Kupferschmidt: various murals
January 16, 2012
At the invitation of PACS Gallery, Denise Kupferschmidt has installed a permanent mural in the front room of Public Assembly. Occupying approximately 5 x 17 feet of estate above the venue’s front interior window, Kill Your Crude Idols references Kupferschmidt’s own Crude Idols drawing series, while serving as a nod to the NYC rock & no-wave documentary Kill Your Idols. The mural’s footer text was generated by the artist’s friend Ben Sisto, who did so by processing a cappella versions of popular songs with an Apple iPhone S4’s voice-to-text translator.
Based on the success of this project, Denise came back to do a mural on the building's exterior as well. Photos avail on request.
Reade Bryan, Oomph
December 20, 2011
Houstonian turned Brooklynite Reade Bryan received a BFA in FIne Arts from the New School for Design in 2006. Over the past four years he’s toured the local woodshop & construction circuit, helping bring the city gems like Brooklyn Fireproof. In terms of form & fabrication his works draw upon those methods and materials associated with said day-jobs. Tile, brick, plywood, foam an in this show’s case, fiberglass insulation.
The works on display were created on site from about 12pm-6pm, just prior to opening. Bryan’s spontaneity evokes a Guston-like humor, presenting the viewer with two clear options: take the works seriously, or laugh along.
Skeleton$, Black Crown Ceremony, Loud Objects
December 19, 2011
9pm, 21+, $7.00
Live Sets:
Skeleton$
Black Crown Ceremony
Loud Objects
DJ Sets:
The Oracle
Marty McSorely (WFMU)
Dutch E. Germ
Joshua Caleb Weibley: Solid Surface
November 28, 2011
From Joshua:
I profess a kind of connectedness with every material I use, at least in as far as I am implicitly saying “this is something which I may use” by using it. Use is a way to establish ownership, though my saying so alone doesn’t make it true. I don’t own everything and some things I would be wrong to claim ownership of. Others I can fairly call my own and do as I please with according to my relationship with them...
Images above courtesy of the artist; from a series of hand-drawn ASCII-style pieces.
Ben Sisto: Two Dogs in the Same Space at the Same Time
October 24, 2011
Six works in progress, reflective of Sisto's suspicious attitude towards the copyright, a feeling that’s somewhat based on an aesthetic affection for multiverse theory. The show title is a mishearing a line from K.M.D.’s song “Mr. Hood” which reminds us that two atoms can’t occupy the same space at the same time. A mix of wall-paintings, framed photocopies, and Ebay’d records on display including: 144 Darwins (Final Dozen) Amateur Portal (Version), Who Let ‘Who Let the Dogs Out’ Out? (Evidence), Sometimes (Die Trying), Of Bits, plus Guest DJ Pappa Wheelie (live all vinyl Miami Bass set, 60 min)
Leah Beeferman & Pierre Le Hors
September 19, 2011
1. ITEMS AND DISPLAY
2. SURFACES AND SUPPORTS
3. STILL LIVES OF DISPLAY
4. EVENTS / AS IN PARTICLE PHYSICS
5. EVENTS / AS IN ANY ACTION
6. MINIATURE MODELS OF THE UNIVERSE / GRAPHS
7. SURFACES:
a) permeable surfaces (description)
b) semipermeable surfaces (two-way mirror)
c) impermeable surfaces (obfuscation)
8. ILLUSORY SURFACES
Photos courtesy of Pierre Le Hors
Gina Beavers: Tapestry Embrace
August 22, 2011
Gina Beavers is an artist in New York City. She studied at the School of the Art Institute in Chicago and has been in group shows with Apartment Show, the Journal Gallery, Printed Matter, Envoy Gallery, Kidd Yellin, Sara Meltzer Projects and Clifton Benevento in New York, among others. She has also shown at Cave in Detroit and Pepin Moore in Los Angeles. Most recently, she showed paintings, created a shop installation with Denise Kupfershmidt, and presented a zine-making performance at the ‘Art Book Club Presents:’ show at St. Cecilia’s in Brooklyn.
Denise Kupferschmidt: Spektr
July 7, 2011
PACS Gallery is pleased to present Spektr, a show of new drawings by Denise Kupferschmidt. Spektr combines selections from several open series within Kupferschmidt’s work, and highlights formal currents running through her studies on various subjects and topics.
The drawing of Denise Kupferschmidt employ an unmistakable vocabulary of form and texture; they speak to dualities inherent in nature and humanity: light and dark, empty and full, bad and good. Between these opposites is the exact moment of death; and in Kupferschmidt’s work that spirituality is materially represented through bold, primitive yet elegant forms that evoke notions of universally understood symbol sets and iconic figures.
Grady Gerbracht's Repercussions
2011
re:percussions is a series of events featuring drummers and drummer led projects that expand the parameters of the percussive medium curated by Grady Gerbracht and sponsored by the Nomadic Museum of Sonic Arts.
Performers included Christine Bard, Jim Pugliese, Grady Gerbracht, John Loggia, Margaret Schedel, Valerie Opielski, and Ravish Momin.
MICROFORTNIGHT
March 30, 2011
Featuring works by Leah Beeferman, Kevin Driscoll, Kerry Gaertner, Joshua Weibley, Daniel Lopatin, Benjamin Sisto, James Corrigan, Twos and Fours, Jeanette Mundt, S.E. Schoemann, A.K.A. SR PALM, Pierre Le Hors, Bennett4senate, & Bryce Hackford. More on this project here.
is Upstairs
A venue I used to run called Public Assembly was built at the site of a former mayonnaise factory on North 6th St. in Williamsburg, Brooklyn. Above the room’s main hall were two large metal tanks –once home to vinegar and egg whites, I believe. I want to say they were about 35’ long and 9’ in diameter. On the front of one tank was a small porthole just large enough for a person to crawl through. It did not feel particularly safe, but once inside you heard an amazing natural reverb we dubbed the “mayoverb”.
is Upstairs was a short-lived series where musicians performed live in the tanks, footage of which was projected live down in the main room. Super-short lived. Just twice … people felt really uneasy in there. I called it this because before someone would start their set I’d say something like “Ladies and gentleman, Jason Sanford is upstairs..”. If you looked up, you could see the curve of the tanks dimly lit through some metal grate flooring. In addition to the nights I organized, I worked with La Blogoteque to have Colin Stetson perform a work in there for video.
Night Two: Feb 19, 2013
(with Norther Spy Records)
Jason Sanford (Neptune)
Patrick Higgins (Zs)
Eli Keszler and Ashley Paul (duo)
Night One: November 12th, 2012
Tristan Perich
Lesley Flanigan
Pat Noecker (as RAFT)
Ben Sisto
Audio Recordings:
Video:
Ranges from full sets to short clips. Apologies there’s not more of Tristan’s set –we had a lot of issues with the cameras and dust.
Bonus Material: Here’s La Blogoteque’s video of Colin Stetson in the tank:
Light Asylum’s video for Heart of Dust (Mexican Summer), directed by Grant Worth and David Riley, had scenes shot in the tanks:
2s and 4s (Julio Monterrey, Matt Parker, Mikkel Hess and David Mason) performed in the tank, too. This video was produced by m ss ng p cesL
Honeypump
Tinsel Teeth (RI) at O’Brien’s Pub in Allston
After college I started a DIY events project in Boston called Honeypump (2002). Named after Joseph Beuys’ work Honeypump at the Workplace, my goal was to bring the energy and fun I found at Mass Art to the wider Boston music and arts scene. This idea was also heavily informed by shows I saw (Thrones, Deerhoof, Lightningbolt) in my friend Pete’s basement on Ashford St. I tried a lot of different things –organizing flea markets, boat parties, issuing grants, NYE parties, making posters for other peoples’ events, starting a record label, co-operating a message board (with Matt Sisto) and more.
Most people likely remember Honeypump for “doing shows” … low ticket price concerts in nightclubs, basements, squash courts, YWCAs, church halls, etc. Some of this worked out great and in some cases, hard lessons were learned. I wrapped it up (2006) when I began a full time gig w/ The Milky Way, Jamaica Plain’s classic venue for concerts, queer parties, pizza and at the time, candlepin bowling. While not a perfect list, if you go over here … most of what I did between 2002-2006 fell under the Honeypump moniker.
In 2023, Honeypump was rebooted for a one-night only show at The Sinclair in Cambridge, MA. There Were Wires, who played many MassArt shows twenty years prior, had the idea to perform a reunion gig. I booked it out with Have a Nice Life, Sinaloa, and DJ Joan Donovan. The show sold out (525 tickets) in four hours! It was a great night—a bit of a high school reunion. That’s it. No more Honeypump!
Highlights
Messageboard became a go-to resource for DIY music in Boston
Helped restart the venue Great Scott w/ Carl Lavin which ended up doing very well
Organized 10 flea markets, attended by huge crowds; kind of set up a new trend for Boston.
Produced Love During Wartime, a party where profits became local arts grants (2x)
Founded Dynasty, a semi-popular local DIY dance party that hosted bands from Noxagt to Chromeo
Co-produced N.E.S.T. twice, a week of 35+ events across the city
Donated $ to organizations like The Red Cross; scholarship funds at Mass Art
2023 “reunion” show with There Were Wires at The Sinclair sold out; 525 tickets in a few hours
Shows
Honeypump was mostly known for putting on local concerts, making posters, throwing parties and other live events. I can take partial credit for all that but it was really a super wide network of people in the city making music, graphics, decorations, etc. Posters and flyers below are a sampling of the general vibe. Audio below is from a mix of places; a basement show, some legit clubs and one sketchy restaurant/venue called All Asia Cafe. Quality varies but is nice for the archives.
Some Photos:
Video
On my YouTube channel there are a lot of videos similar to the two below. Shot with either an old Sony Handicam or a Flip camera, they are somewhat lo-res but document what I was up to with DIY show booking around the early 2000s. Videos of Xiu Xiu, Gang Gang Dance, American Nightmare, Pretty Girls Make Graves, Chromeo, etc.
Honeypump Records
Honeypump Records put out three releases: A split 12” from the bands Clickers and Night Rally, a LP for The Faux and the vinyl version of U.V. Protection’s self-released CD. The label barely got off the ground — I believe both Clickers and Night Rally broke up shortly after the 12” got pressed; U.V. got offered a national tour opening for The Gossip but had timing conflicts and The Faux LP was released only after co-founding member Kirsten Malone had sadly passed away. All this, and I’d made the decision to release all the MP3s online for free under a Creative Commons license. I thought this would help promote actual vinyl sales but all the shops in Boston —remember, this is 2004 or so— told me they wouldn’t carry the record since I’d already given the music away. The unsold LPs were given to Dan Shea of Bodies of Water / Brain Arts when I moved to NYC.
Messageboard
Left is a screen grab from the final night the board was up. Right is a scene seen at a lot of parties, shows, colleges etc - a bunch of kids grouped around a PC looking for into on shows, making fake accounts and having lolz.
Kind Words
Bye-bye, Ben (Boston.com, 2008)l Sisto Act 2 (Boston Phoenix, 2008); Bostonian of the Week (Bostonist, 2008); Guide to Boston (Nylon Magazine, 2006); R.I.P. Honeypump (Weekly Dig, 2006); Hanging with Ben Sisto (Boston Globe, 2006); Let's Stick Together (Boston Metro, 2006), ; Working for a Song (Boston Herald, 2006); It Came from the Basement (Boston Phoenix, 2004); Punk Presenter is Making a Splash (Boston Globe, 2003)
Public Assembly
Public Assembly was a 3-room performance and arts venue located at 70 North 6th Street in Williamsburg, Brooklyn. Some remember this address as the site of the original Galapagos Art Space, too. I ran the place for about two years starting in 2011 overseeing all booking, promotions, staffing and a lot of the upkeep and repair. There were many great folks in the mix – Eric Sheppard, Duncan Rich, Pop, Tammy Hart … who all kept it running on duct tape and sweat. The main murals inside and out were painted by Denise Kupferschmidt.
Some photos my dad took around the venue, and during a Northern Spy Records showcase:
Banner ads from the venue’s website:
Some of the many, many event flyers PA’s partners and artists made:
Audio:
Here are some full sets from a show in October 2012 headlined by Silver Apples. Some other audio recordings can be found under the is Upstairs and Et cetera project pages.
At some point after leaving I made this list –it looks like maybe a list of “things I am most happy happened at Public Assembly” or, most in-line with my vision for the place. This is far from a complete list of all acts though:
Action Bronson, Alcest, Alias Pail, Allison Weiss, Arca, Arthur Baker, Assemble, Babycastles, Badussy, Ballistic Missile (showcase), Behavior, Big Freedia, Bklyn Boihood, Blanc Mass, Brooklyn Bodega, Brooklyn Brainery, Brooklyn Electronic Music Festival, Brooklyn Ladies Arm Wrestling, Brooklyn Vegan, Brooklyn Zine Fest, Bunce Booking, Bunker, Car Park / Paw Tracks (showcase), Cat Face, Communion, Craig Murphy Memorial Benefit, Crappy Cinema Council, Dead Prez, Death & Taxes, Diamond Terrifer, Dutty Artz, Dyke March, Electric Punanny, Eric Andre Show, Et cetera Festival, Fixed, Fixed, Forma, Gang Gang Dance, Gatekeeper, Glenn Branca, Goldie, Hatchet Job Poetry, Hey Queen, Houston, Atlanta, Memphis (HAM), How to Dress Well, Industrial Strength Records, Is Upstairs, Kim Ann Foxman, Laurel Halo, Lexi Mountain, Major Stars, Martyrdoom, Masters of Social Gastronomy, Mayhem Lauren, MC Ice Rod, Mexican Summer (showcase), Midnight Magic, Miho Hatori, Mixpack Extended Play, MNDR, Mute Records, Neon Marshmallow Festival, Oneohtrix Point Never, Original Plumbing, Oval, PACS Gallery, Panache Booking, Parallels, Permanent Wave, Pop Fest NYC, POP Montreal (showcase), Pussy Faggot, QxBxRx, Raft, Rebel Bingo, Red Bull Music Academy, Reggay, Regression, Rhys Chatham, Rinsed, Robert Hood, Sal P, Sightings, Silver Apples, Society for the Advancement of Social Studies, Strictly Hits, Suckers, Sylvia Rivera Law Project, The Babies, The Magician, The Psyched, The Rumpus, Tim Hecker, Tim Sweeny, Todd Pendu, Trouble & Bass, Tumblr / Eat Sleep Draw, Turntables on the Hudson, Wax Poetics, WORD Presents, Wrecked, Xanadude, Xeno and Oaklander, Yacht, Yo! Majesty.
Ace AIR
354+ Nights of Artists Making Art in Hotel Rooms
I founded Ace AIR—Ace Hotel’s Artists in Residence program—in 2014 and oversaw the curation, documentation and promotion of the program until leaving in January of 2019. In that time there were 354 stays. Went “On Tour” with Printed Matter to host 40 artists nation-wide and in London, and with zero marketing, cecame 4th organic search result for “Artists in Residence” (Google, 2018).
Pictured above is Riley, who participated during Opening Ceremony’s residency.
The program was very straight forward and had few rules:
Artists got a small stipend and food
Artists stayed one night at the hotel
Artists were asked to do whatever they wanted so long as it didn’t harm guests or damage property.
Artists took that looseness and filled rooms with mylar balloons, broadcasted psychedelic videos, painted oyster shells, collected beach glass, slept, hired 3rd parties to produce work on their behalf, wrote poems, collected recipes, wrote and recording music, drafted short stories, and played solitaire.
Pictured above is Ace Hotel’s website in 2023; on the heels of the program being around for a decade it’s prominently featured up top. Cool to see it growing!
Curators & Artists by Year
-
WORD Bookstores, December 2014
John Keene, Deji Olukotun, Sarah McCarry, Rahawa HailePlayLab, November 2014
Lunifred Benjamin, Ryder Ripps, Matthew Giordano, Nightcoregirl, Zut Alors!Flux Factory, October 2014
Michael DiPietro and Lena Hawkins, Gil Lopez, Ayden Grout, Will OwenPrinted Matter, September 2014
Jason Polan, Heather Benjamin, Stefan Marx, Cali Thornhill DeWittTumblr, August 2014
Ashley Ford, Kate Gavino, Chelsea Hodson and May-Lan Tan, Kristina WilsonEyebeam Art + Technology Center, July 2014
Queer Art + Technology Collective, Joon Oluchi Lee and Roddy SchrockTomorrow Lab, June 2014
Katie Shima, Confection, Ltd., Ekene Ijeoma, Karen Mackay, Jenni HenslerThe Museum of Art and Design, May 2014
Stephanie Lin, Alissia Melka-Teichroew and Jan Habraken, Michael Rees, Francis Bitonti24 BY 36 (Ace Hotel), January 2014
Sto Len & Asha Man, Daren Ho & Antonia Kuo, JD Samson, Colby Bird, Denise Kupferschmitdt, Mikael Kennedy, Ariel Dill, Morgan Blair + Nick Kuszyk, Miho Hatori, Phillip Birch, Danniel Schoonebeek, Patrick Higgins, Amanda B. Friedman & William McMillin, Archie Lee Coates IV & Jeff Franklin, Adam Dugas, Kunal Gupta / Thu Tran, Alexis Georgopoulos & Frank Lyon, Ashok Kondabolu (Dapwell), NOWORK / Pierre Le Hors, FCKNLZ (Grant Worth), Garrett Morrin, Lesley Flanigan & Steven Reker, Colin Self, Lizzi Bougatsos
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Opening Ceremony, December 2015
Riley Gallagher, James Evans, James Parker Riley Gallagher, Surprise GuestsResidencies Unlimited, November 2015
Ivan Gaete, Beto Shwafaty, David Helbich, Christiaan Bastiaans, Manuela Viera-GalloLady Boss, October 2015
Sue Smith, Kate Gardiner, Tracy Candido, Julie SygielPrinted Matter / NY Art Book Fair, September 2015
Christopher Schulz, Tamara Santibañez, Andrew Jeffrey Wright, Jason EvansAUNTS, September 2015
Ann Lewis (gilf!) / Sylvia Dean Ventiko / Tara Aisha Willis / Karl Scholz / Adams Stark; Christen Clifford / Amy Khoshbin and Michael Clemow / Sophie Sotsky and Greta Hartenstein, Chris Blue / Jeremy Toussaint-Baptiste / Daria Faïn / niv Acosta / Shantelle Jackson; Michael DiPietro and Lena Hawkins / Felicia Ballos and Jean Brennan (Collective Settlement) / Kirsten Schnittker /Oyster Books, August 2015
Haley Mlotek, Kashana Cauley, Morgan Parker, Durga Chew-Bose, Hannah Giorgisbitforms gallery, July 2015
Marina Zurkow, R. Luke DuBois, Rashaad Newsome, Yael KanarekBHQFU, June 2015
Zulu Padilla, Alva Calymayor, Nicole Reber, Sophia Le FragaMaterials for the Arts, May 2015
Carolina Penafiel, Christian Joy, Ryan Humphrey, Carrie Morrissey, William Powhidan+1, April 2015
Dayna Tortorici, Doreen St. Felix, Kaitlin Phillips, Erin SheehyPlus 81, March 2015
ikumi, Kenzo Minami, Meguru Yamaguchi, Masashi KawamuraChihiro Shimizu
Northern Spy Records, February 2015
Shilpa Ray, Justin Frye (PC Worship), John Moloney (Caught on Tape, Sunburned), Stephen Cooper (Cloud Becomes Your Hand)Deer Dana, January 2015
Matt Sukkar, Luisa Opalesky, Josh Bartky, Jojo Samuels & Sean Ryan Pierce24 BY 36 (Ace Hotel), January 2015
Kevin Driscoll, Jamilla Okubo, Joshua Caleb Weibley & Masha Vlasova, Food Core Klub (Thu Tran and Sandra Chi), E.E. Ikeler, Jenn Schiffer, Bryan Kasenic and Seze Devres, Laina Dawes, Leah Beeferman & Carey Denniston, Sister Sister (Trevor Powers and Annie Sollinger), Dennis RedMoon Darkeem, Ditko! Zine Library, Allyson Paty, Allen Riley & Matthew Underwood, Colene Blanchet, Rob Corradetti, Julia Kaganskiy, Amirtha Kidambi & Peter Evans, Lazy Mom, Ted McGrath, Dana Veraldi, A&C Supply Brooklyn: Meghan Wicks & Jason Roy, Lydia Cambron, Halmos
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One Offs
Lissa Rivera and BJ, Kevin Driscoll and Lana Swartz (Lonely Old Bitcoin Miner)Faust, December 2016
Sabekst, Caroline Caldwell, Victoria SiemerPrinted Matter, November 2016
Caroline Paquita, Jordan Nassar, Kyle Quinn, Dawn KimFriends Records, October 2016
Lexie Mountain, Chris Day, Shaun Flynn, Carabella Sands, April CamlinPrinted Matter, September 2016
Stuart Matz, Melinda Melmoth, Masanao Hirayama. Emma KohlmannPuppy Teeth Records, August 2016
Lætitia Tamko, Catherine Cohen, Phyllis Ophelia, Mallory HeyerUndo Magazine, July 2016
Taste: Jaquy Yngvason, Sound: Jarrett Wetherell, Sight: Tomás Whitmore, Touch: Jérôme LaMaar, Smell: Amaris ModestoFilipino American Museum, June 2016
Gina Apostol, Stephen Miguel Decker, Patrick Rosal, Paul Pfeiffer, Michelle LopezLAND Gallery, May 2016
Myasia Dowdell, Carlo Daleo, Matt Murphy, Margot Werner, Cynthia AlbertoMcSweeney's, April 2016
Leanne Shapton, Chelsea Hogue, Paul La Farge, Shelly Oria, James HannahamJoshua Caleb Weibley, March 2016
Alli Miller, Sun You, PK Worryshop (Porter & Kaila), Zack Davis, Rebecca SimonBuzzFeed, February 2016
Tomi Obaro, Chaya Babu, Esther Wang, Niela OrrTopical Cream, January 2016
Lyndsy Welgos, Julika Rudelius, Keren Cytter, Lyndsy Welgos, Sara Hornbacher
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Curated with Printed Matter
New Orleans
Kyle Bravo, Marta Maleck, Skylar Fein, Ashley Teamer, Tom O'BrienPittsburgh
Melissa Cantanese, Ed Panar, Stephen Grebinski, Christina LeeLos Angeles
Seth Bogart, Kandis Williams, Blackmama Whitemama, Eve Fowler, Adam VillacinNew York City
Stuart Matz, Melinda Melmoth, Masanao Hirayama, Emma KohlmannLondon
Paul Knight, John Booth, Lillian Wilkie, BOYS FOREVER, SetsukoSeattle
Martine Workman, Steven Miller, Corianton Hale, Sarah GalvinNew York City (2)
Caroline Paquita, Jordan Nassar, Kyle Quinn, Dawn KimPalm Springs
Sonya Cohen, Paul, Mpagi Sepuya, Patrick Lee, Edie Fake
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One-offs
Dewey Saunders, Aaron Clark, Johanna Boccardo,GMHC, December 2017
Shungaboy (Michi Yamaguchi), Chuck Hettinger, Michael RussnakRashaad Newsome, November 2017
Emmanuel Iduma, Paul Anthony Smith, Kiyan Williams, Alexandra BellSI Maker Space, October 2017
DB Lampman, Nancy Quin, Emily Perina, Eustace Pilgrim, Scott Van CampenPrinted Matter, September 2017
Jen Shear, Linda Hang, Jeffrey Cheung, Alexis TaylorAshley Robicheaux, August 2017
Rosana Caban, Rahm Silverglade, Sam Himself, Ashley RobicheauxKimberly Klark Gallery, July 2017
Robert Grand, Sophie Jennis, Dennis Witkin, Colleen O’Connor, Emma HazenTeen Art Salon, June 2017
Quinn Wilke, Danielle Cohen, Luna Doherty-Ryoke, Devon MaDiscwoman, May 2017
Bearcat (Kerrie Ann Murphy), Yulan Grant, DJ Abby, DJ Haram (Zubeyda Akil)Trax Records, April 2017
Tyler Stone + VAITP (NYU), March 2017
Chang Liu, Rebecca Lieberman, Matt RomeinPenumbra Foundation, February 2017
Molly Rapp, Olivia Perez, Jolene Lupo, Lisa ElmalehBronx Art Space, January 2017
Glendalys Medina, Esperanza Cortés, Jonathan Gardenhire, Sophie Barrett-Kahn (use "Sophie Kahn" for press), Alexis Mendoza
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One-offs
LydIa RicciJeremy Toussaint-Baptiste, December, 2018
Nordic International Film Fest, November, 2018
Brandon Brown, Haley Rice, Corey Camperchioli, Samantha QuickRefinery 29, October, 2018
Eva Lee & Evelyn Zhang, Abbie Winters, Louisa Cannell & Elsa Jenna, Janet Sung & Seeta Kanhai, Elliot Salazar & Isabel Castillo GuijarroBrad Troemel, September, 2018
Artiphon, August, 2018
Rodney Hazard, Caleb Hawley, Jachary, Suzi AnalogueDistributed Web of Care, July, 2018
Ari Melenciano, Mindy Seu, Jessica Lynne, Stephanie Gray, Shannon FinneganD’hana Perry, June, 2018
Giphy, May, 2018
Julia Sinelnikova, Matthew Keff, Maximillian Piras, Mengxin LiChildren's' Museum of Art, April, 2018
Mira Moore, Christopher Lineberry, Georgina Arroyo, Kirsten McNally, Naima Freitas / Alan YoungVOLTA, March, 2018
Tug RiceSea Dog Theatre, February, 2018
Various Artists from Sea Dog TheaterNational Sawdust, January, 2018
BISHI, Natti Vogel, Vince Peterson, Zach Fredman
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Children's Museum of the Arts, April 2019
Brandon Lee Harris, Deepti Menon, Rachelle Hall, Ian TousiusBushwick Community Darkroom, March 2019
Elizabeth LoPiccolo, Sheridan Telford, Max Taylor, Chris Voss, Lucia RollowShani Jamilla, February 2019
Fountain House Gallery, January 2019
Roger Jones, Alyson Vega, Laura Anne Walker, Angela Rogers
Dear Reader
Rowan Hisayo Buchanan by Seze Devres for Ace Hotel New York
After starting Ace Hotel’s AIR program in 2014, I thought to do one specifically for authors. I got introduced to Alexander Chee who, fresh off a residency with a train company, was having similar ideas. We created Dear Reader, a program that would come to last for at least 4 years and host some truly great talents. Kelly from Ace described it to Fast Company this way:
“Each month this year, a writer will spend a night at Ace Hotel exploring its edges and insides,” explains Kelly Sawdon, partner and chief brand officer of Ace Hotel. “During their stay, they’ll craft an open letter to an imagined audience of hotel guests. On a surprise date the following month, the letters will be laid bedside in each room–hand-stamped and numbered.” … a cross between a Dear John letter and a limited edition object that 300 lucky guests will receive each month.”
Letters existed in-print only and, only in the hotel rooms. There was also an annual Dear Reader, Live event where authors (or special guests) read their letters and other works in person. These were always packed.
There were a bunch of short 5-questions style interviews with authors up on the blog but Ace seems to have taken their old Tumblr down; not sure where/if they got archived.
Guest Curators:
Year One: Alexander Chee
Year Two: Alexander Chee
Year Three: Tin House Magazine
Year Four: Tin House Magazine
Authors:
Atticus Lish
Saeed Jones
Chelsea Hodson
Dale Peck
Sigrid Nunez
Lucas Mann
Kiese Laymon
Catherine Chung
Chinelo Okparanta
DarkMatter
Daniel José Older
Elif Batuman
Morgan Parker
Alexander Chee
Kaitlyn Greenidge
Tommy Pico
Wo Chan
Natalie Diaz
Alice Sola Kim
Ioannis Pappos
Jami Attenberg
Tyehimba Jess
Tracy O'Neill
Porochista Khakpour
Garnette Cadogan
Jenny Zhang
Claire Fuller
Jia Tolentino
Christopher Soto
Claire Vaye Watkins
Alexandra Kleeman
Leslie Jamison
Mia Alvar
Carmen Machado
Danez Smith
Kaveh Akbar
Morgan Jerkins
Joshua Jelly-Shapiro
Rowan Hisayo Buchanan
Naomi Jackson
Rosalie Knecht
Michelle Tea
Ocean Vuong
Tayari Jones
Jamel Brinkley
Fatimah Asghar
Michael Arceneaux
Hieu Minh Nguyen
Rock Collection Collection
A collection of rock collections.
Read moreEarthrise Museum
Apollo 8 ephemera, collected in celebration of its 50th anniversary.
Read moreWeb Safe 2k16
2/16/16 — 9/18/16
“Web Safe 2k16 is a literary/graphic project exploring our memories of the pre-broadband Internet and related technologies. The project uses Lynda Weinman’s Web Safe color palette as a field of reference constraining a large and heterogeneous archive of personal recollections: 216 authors write 216 words each, inspired by a specific color in the web safe range.” - Jo Livingston
Live Events:
Web Safe 2k16 at 64 Bits, Queen Elizabeth Olympic Park, London, 30 March - 21 April 2017
Web Safe 2k16 Live in London, 21 March 2017, Ace Hotel, Shoreditch
Web Safe 2k16 Live in Boston, November 19, 2016, PRX Podcast Garage
Web Safe 2k16 Live in New York, September 18, 2016, Brooklyn Book Festival
Bingo
Ben and Lee Sisto at Russell Janis in Brooklyn, New York. The exhibit features a handful of works on paper, mostly made with bingo markers and crayons. Ben is 40, Lee is 2.5. Reception June 26, 2020 from 11am - 12pm.
Read moreSmash the 'Stache!
Information related to Bristol County Sheriff Thomas M. Hodgson of Massachusetts.
Read moreSilent Partners
Silent Partners provides monthly $1,000 grants to Black Brooklyn-based artists & Movement workers. Funds are donated by anonymous white partners, and all top-level decisions are made by a panel of Black leaders.
Read moreFree SVG 12”
Free SVG 12” is a one-off record I pressed featuring music from James Corrigan and Adrian Michna. It was produced based on a prompt from Bait / Switch, a Boston-based arts publication with an exquisite-corpse style of offering prompts and assignments. The final work is the record’s listing page on discogs.com
Read moreSans Neutrality
Sans Neutrality is a set of two fonts, NetNeu Sans & NetNeu Serif. They are fairly standard except that the letters A, E, I, K, L, N, O, R, T, U, W, and Y—those used to spell “Network Neutrality”—have been removed.
Sans Neutrality was produced by an anonymous font-world friend, and the respective versions are based on Adobe Source Sans Pro, designed by Paul D. Hunt, and Source Serif Pro, designed by Frank Grießhammer. The text up top is by poet and NEA fellow Danniel Schoonebeek.
Click here to download NetNeu Sans
Click here to download NetNeu Serif
Like the free font? Consider making a donation in any amount to the Electronic Frontier Foundation.
Dual 56k
In 2009, Dual 56k (Matt Boch and Ben Sisto) were commissioned by Mass MoCA in North Adams, MA to create a DJ / VJ performance for one of their outdoor program afterparties. At that time, a new series of Sol LeWitt works had just been installed so we thought to use them in our video. Wearing chroma-key suits, we spent a few hours recording video of “performance art like movements” in front of LeWitt pieces, much to the confusion and amusement of unsuspecting museum guests. Later, I DJ’d and Matt worked our clips into a video montage projected above the dance floor. Maybe not a critical moment in high-art discourse, but it was a super fun, playful day.
Some of these photos / video were shot by Natalie LaChall. The song playing in the video’s by U.V. Protection.
Material Works
Material Works was a draft of an idea—sort of a way to imagine new works of art by repurposing audio recordings describing those which already exist. This was back in 2009 and I was starting to think about generative art; future AIs rendering works, etc. I noticed that MoMA had audio recordings of many works from their collection up on their website for the benefit of the visually impaired, and at the time the mp3s were freely downloadable. Because the narrators speak in a clear, deliberate tone and at a slower pace, the files are very easy to chop up and paste back together as you’d like. Two examples:
I like these little projects because they are free to make and allow new works to exist without actually using much in the way of physical resources. I do consider the final audio pieces to be sculptures / installations of sorts. Here’d a demo I made with Audacity, which is free.
Where to Find Source Audio:
I last checked (12/16/19) and it seems the descriptions for many works are still online via MoMA’s site. The player itself no longer allows for a fast right-click style download but if you just open up the page source they are pretty easy to find. If you have no idea what that means, it’s not complicated. In Chrome click View / Developer / View Source. In the new tab that pops up, just search for “mp3” and you should find a link you can right-click on to save the audio. I haven’t checked other major arts institutions but I bet a lot are out there.
Rights & Usage
The original audio here is the property of MoMA. I am making a modest Fair Use claim given the following. First, the resulting works have no negative impact on MoMA’s finances or reputation. From each recording I am using a relatively small portion of the whole, and regarding Substantiality I'd say none of them are at the heart of a given recording. Regarding the transformative nature of the work: I may not be using the audio in completely new or unexpected ways, but am modifying them enough to be considered distinct from the originals. If / when you make your own Material Works, consider all this and from where you want to download source audio. I am not maintaining any (C) or anything on this idea, title, etc. Material Works is a suggestion.
If you make your own, please email me as I’d love to hear them!
Header image of MoMA's interior by Wikipedia user Ingfbruno. Added on April 36, 2013, CC-BY-SA
Punk Rock Flea Market
Punk Rock Flea Market started with about 20 vendors in the Mass Art gym in 2002. Over the next 6 years I’d organize ten of these, growing to about 80 vendors and with turnouts of about 800 at peak. We usually charged $1 to get in and have the money to a local cause or 501c3. Vendors rented tables more or less at-cost and everyone would pitch in to help set up, break down and it sort of just ran itself. People sold clothing, records, crafts, snacks and sometimes actual trash.
Above: The first PRFM’s took place in the Mass Art gym
Above: Truth Serum Productions sold gender-queered vintage.
Above: Punks and norms, together.
Above: Always a lot of patches.
Above: Vendor Seth Davis with VHS tapes, art supplies, amps and more.
Above: Boston Derby Dames selling merch
Above: Mark from Neptune on the DJ decks
Some of the vendors from the last two PRFMs:
Action Geek Comics, Alex Dakoulas Design, Anna Gurowsky, Apenest, Beautiful World Syndicate, Birdhead Design, Boomerangs, Boomerangs (Kris 2), brandwashed, Child of the 80s, corleone records, Country Records, Crusty Tim's World of Sketch, Distro.y Clothing, DIY BDSM, Eric Shaw Design, Evil Design, Galactic Fractures, Good Vintage, Hope Through Health, Jaffney Jaynes Take Away The Pain, Julie A Designs, Kendra Smith, Athena, Lindsay Crudel (Split), Kevin Driscoll, Kris P (personal table), KTT Shirts, Lady Cougars Art Gang, Laurel Kirtz, Lindsay (Adrian), Little Flower Designs, Lucy Parsons Center, Manimal, Poppycock Design, Rachel Small, Regeneration Records, Repeat Clothing, Replacement for James, Roslin Rags, S. Knitty Designs, Seth Davis, Shut Up Clothing, Sibling Rivalry, Sticks and Stones, Tater Print, Teenage Disco Bloodbath, The BLCC, Trash Art!, Truth Serum Productions, Vaya Bags, Velocicrafter, What Cheer?!
Above: Classic sidewalk scene. Nokia phone and all.
Above: We had good crowds.
Above: Jonah from Teenage Disco Bloodbath Records
When I decided to close up shop, Lindsay Metiver took the idea and ran with it organizing an offshoot called Mass Market, and I believe this turned into Black Market with Dan Shea’s Bodies of Water Arts and Crafts project. A lot of the vendors have gone on to be successful artists, tattoo artists, musicians, shop owners and small business operators too. Maybe one of my favorite events I’ve done.
nationalportraitgallery.us
12.19.10, NYC – Protestors demonstrating against the Smithsonian’s decision.
In November of 2010, G. Wayne Clough of the Smithsonian bowed to pressure from the conservative right and anti-gay groups and removed a video piece (A Fire in My Belly) by artist David Wojnarowicz from the National Portrait Gallery’s exhibition Hide/Seek. The decision drew sharp criticism form other museums, The New York Times, artists, LGBTQ groups and their allies and museum patrons.
On Christmas day a few weeks later, I got a gift of $100. I turned and gave it to my brother, a skilled computer programmer, and asked him to replicate the National Portrait Gallery’s website as closely as possible and host it on two domains I’d just bought, nationalportraitgallery.net and nationalportraitgallery.us.
The sites were identical … membership and donation links, museum info, the works … except that I’d placed the censored A Fire in My Belly video front and center, along with a list of resources about related protests, response works and so on. The site was live on December 27th and the following press release was issued on January 1st, 2011:
Smithsonian Institution
National Portrait Gallery
Eighth and F Streets, NW, D.C., 20001
(202) 633-8300
FOR IMMEDIATE RELEASE
01/01/11
Dear Valued Patron,
The Smithsonian National Portrait Gallery is proud to present a special online-only screening of A Fire In My Belly by David Wojnarowicz. This presentation of the original 13-minute silent version has been made possible by the Estate of David Wojnarowicz and P.P.O.W Gallery, New York.
A Fire in My Belly is a surrealistic video collage filmed in Mexico which expresses the suffering, marginalization and physical decay of those afflicted with AIDS. Wojnarowicz uses religious imagery in the tradition of art that uses such imagery to universalize human suffering.
A Fire In My Belly will not return to the Hide/Seek: Difference and Desire in American Portraiture exhibition itself. The Secretary of the Smithsonian, The Secretary for History, Art and Culture and The National Portrait Gallery Director in collaboration with exhibition curators have taken great time to consider the requests of both supporters and opponents of the work's display, and feel this compromise is fair.
Please be warned that the video may be considered graphic or offensive to some viewers.
To view A Fire in My Belly, please visit our website:
http://www.nationalportraitgallery.us
For further information, please contact the National Portrait Gallery:
natportgal@gmail.com
The project got some traction, mainly on art-fan blogs but did break through a few more mainstream outlets:
“After outraging the art world, several of its funders, and a giant chunk of its constituency with its fatal decision to remove David Wojnarowicz’s “Fire in My Belly” from the National Portrait Gallery’s “Hide/Seek” show, the Smithsonian has chosen to respond to its critics in a dramatic, and rather odd, fashion: instead of returning the work to the exhibition, the institution has turned the National Portrait Gallery’s Web site into an all-Wojnarowicz-all-the-time resource center, complete with a “special online-only screening” of the original 13-minute long version of “Fire in My Belly.” - BLOUIN ARTINFO
Huffington Post reported on my website, but later corrected the article. The updated story is on view here.
I can’t find an archived link, but Jerry Saltz also wrote on a blog somewhere that he thought the museum’s decision to show the video on their website didn’t go far enough.
Here are some of the related articles my site collected: