A movement-video mixtape for Capri by Night, projected at Schauspiel Köln / Offenbachplatz in Cologne, Germany.
Read moreSans Neutrality
Sans Neutrality is a set of two fonts, NetNeu Sans & NetNeu Serif. They are fairly standard except that the letters A, E, I, K, L, N, O, R, T, U, W, and Y—those used to spell “Network Neutrality”—have been removed.
Sans Neutrality was produced by an anonymous font-world friend, and the respective versions are based on Adobe Source Sans Pro, designed by Paul D. Hunt, and Source Serif Pro, designed by Frank Grießhammer. The text up top is by poet and NEA fellow Danniel Schoonebeek.
Click here to download NetNeu Sans
Click here to download NetNeu Serif
Like the free font? Consider making a donation in any amount to the Electronic Frontier Foundation.
Material Works
Material Works was a draft of an idea—sort of a way to imagine new works of art by repurposing audio recordings describing those which already exist. This was back in 2009 and I was starting to think about generative art; future AIs rendering works, etc. I noticed that MoMA had audio recordings of many works from their collection up on their website for the benefit of the visually impaired, and at the time the mp3s were freely downloadable. Because the narrators speak in a clear, deliberate tone and at a slower pace, the files are very easy to chop up and paste back together as you’d like. Two examples:
I like these little projects because they are free to make and allow new works to exist without actually using much in the way of physical resources. I do consider the final audio pieces to be sculptures / installations of sorts. Here’d a demo I made with Audacity, which is free.
Where to Find Source Audio:
I last checked (12/16/19) and it seems the descriptions for many works are still online via MoMA’s site. The player itself no longer allows for a fast right-click style download but if you just open up the page source they are pretty easy to find. If you have no idea what that means, it’s not complicated. In Chrome click View / Developer / View Source. In the new tab that pops up, just search for “mp3” and you should find a link you can right-click on to save the audio. I haven’t checked other major arts institutions but I bet a lot are out there.
Rights & Usage
The original audio here is the property of MoMA. I am making a modest Fair Use claim given the following. First, the resulting works have no negative impact on MoMA’s finances or reputation. From each recording I am using a relatively small portion of the whole, and regarding Substantiality I'd say none of them are at the heart of a given recording. Regarding the transformative nature of the work: I may not be using the audio in completely new or unexpected ways, but am modifying them enough to be considered distinct from the originals. If / when you make your own Material Works, consider all this and from where you want to download source audio. I am not maintaining any (C) or anything on this idea, title, etc. Material Works is a suggestion.
If you make your own, please email me as I’d love to hear them!
Header image of MoMA's interior by Wikipedia user Ingfbruno. Added on April 36, 2013, CC-BY-SA
nationalportraitgallery.us
In November of 2010, G. Wayne Clough of the Smithsonian bowed to pressure from the conservative right and anti-gay groups and removed a video piece (A Fire in My Belly) by artist David Wojnarowicz from the National Portrait Gallery’s exhibition Hide/Seek. The decision drew sharp criticism form other museums, The New York Times, artists, LGBTQ groups and their allies and museum patrons.
On Christmas day a few weeks later, I got a gift of $100. I turned and gave it to my brother, a skilled computer programmer, and asked him to replicate the National Portrait Gallery’s website as closely as possible and host it on two domains I’d just bought, nationalportraitgallery.net and nationalportraitgallery.us.
The sites were identical … membership and donation links, museum info, the works … except that I’d placed the censored A Fire in My Belly video front and center, along with a list of resources about related protests, response works and so on. The site was live on December 27th and the following press release was issued on January 1st, 2011:
Smithsonian Institution
National Portrait Gallery
Eighth and F Streets, NW, D.C., 20001
(202) 633-8300
FOR IMMEDIATE RELEASE
01/01/11
Dear Valued Patron,
The Smithsonian National Portrait Gallery is proud to present a special online-only screening of A Fire In My Belly by David Wojnarowicz. This presentation of the original 13-minute silent version has been made possible by the Estate of David Wojnarowicz and P.P.O.W Gallery, New York.
A Fire in My Belly is a surrealistic video collage filmed in Mexico which expresses the suffering, marginalization and physical decay of those afflicted with AIDS. Wojnarowicz uses religious imagery in the tradition of art that uses such imagery to universalize human suffering.
A Fire In My Belly will not return to the Hide/Seek: Difference and Desire in American Portraiture exhibition itself. The Secretary of the Smithsonian, The Secretary for History, Art and Culture and The National Portrait Gallery Director in collaboration with exhibition curators have taken great time to consider the requests of both supporters and opponents of the work's display, and feel this compromise is fair.
Please be warned that the video may be considered graphic or offensive to some viewers.
To view A Fire in My Belly, please visit our website:
http://www.nationalportraitgallery.us
For further information, please contact the National Portrait Gallery:
natportgal@gmail.com
The project got some traction, mainly on art-fan blogs but did break through a few more mainstream outlets:
“After outraging the art world, several of its funders, and a giant chunk of its constituency with its fatal decision to remove David Wojnarowicz’s “Fire in My Belly” from the National Portrait Gallery’s “Hide/Seek” show, the Smithsonian has chosen to respond to its critics in a dramatic, and rather odd, fashion: instead of returning the work to the exhibition, the institution has turned the National Portrait Gallery’s Web site into an all-Wojnarowicz-all-the-time resource center, complete with a “special online-only screening” of the original 13-minute long version of “Fire in My Belly.” - BLOUIN ARTINFO
Huffington Post reported on my website, but later corrected the article. The updated story is on view here.
I can’t find an archived link, but Jerry Saltz also wrote on a blog somewhere that he thought the museum’s decision to show the video on their website didn’t go far enough.
Here are some of the related articles my site collected:
O.K.
O.K., Solo Show, Graduate School Gallery, Brooklyn, 2009
The show consisted of works I’d made while in Boston, most of which were informed by ideas around Creative Commons, the copy-left, hacking and word games. If I recall, I moved to NYC in 2008 and this show happened shortly after in 2009.
Above: Screwed Time, produced with Matt Boch. LCD display, Arduino board, cassette tape case. This was a clock that ran at half speed and every now and then ticked back one second. Made in tribute to DJ Screw.
Above: 20 One Copies. Spray-painted USB drives, ball-chain necklaces, mp3 files. I made twenty copies of the song One by Metallica and loaded them on to USB-drive necklaces and let people take them away.
Above: Take Two (versions). Take Two is a game I’d invented to produced novel two-word phrases / concepts based on lists of the most frequently occurring words in contemporary film and television. There have been a bunch of versions over the years but this was the first public showing.
^ Posters:Yearbook (2004), Typing Game (2004), Neutrality Sans (early version); photocopy prints on bond at 24” x 36”. Yearbook is a collection of signatures found in the first few years of Google Images / Image search; Typing Game is a game where you type “I typed this with my [body part of your choice];” Neutrality Sans is an alphabet set and font that’s standard except that it lacks the letters A, E, I, K, L, N, O, R, T, U, W and Y.
I also had some digital works running on a monitor including an early demo of 1x1x216.
Love During Wartime
Love During Wartime was a party that happened twice. I booked a dozen or so DJs, some VJs, some hosts and some community partners who—in addition to performin—formed a voting panel for an arts grant. Guests paid $10 at the door to get in and, on their way out were given an application for $1000 in funding (the party’s net profits). Each party took place at The Paradise in Boston, and we held one grant-issuing micro-party at Great Scott. These were a lot of fun.
LDWT 1, Lissa Rivera, 2006
Grant Winner Lissa Rivera, who needed funds to continue her photography career, and she went on to great things.
Attendance: 400+. Named one of the year’s top 10 parties by the Boston Phoenix.
LDWT 2, Jeff Czekaj, 2008
DJs: Lone Wolf (Gold Chain) with Bone Zone (live), Etan (Basstown), Claude Money (Soul Touch), Dan Shea (Bodies of Water Arts & Crafts), Matt Sisto (Lemmingtrail), Chris Devlin (Spank Rock), Joseph Colbourne (Color), Baltimoroder (Hearthrob), Dafna / Stella (Gross Anatomy), Mark Pearson (Neptune). Video: Morgan (Hearthrob), Matt Boch (Dust Bunnies), Robotkid, Sue (U.V. Protection).
Grant Winner: Jeff Czekaj, who wanted to turn a bus into a mobile DIY venue.
Photos: Ben Sisto, Kris Ireland
LDTW 2 Audio:
When digging through some archives I found these MP3s which, appear to be a line-out from the DJ booth. Thanks to whoever recorded these and got them to me; I don’t have any memory of doing it myself. Also included here is a LDWT promo mix that Chris Devlin made to hype the party.
LDWT 2 Grant Issuing Party: 2008
DJs: Certified Bananas, Lonewolf, Mistaker
Video: Robotkid
N.E.S.T.
N.E.S.T. (The North East Sticks Together)
By TD Sidell, EXiMiOUS Productions, Bodies of Water Arts & Crafts, Honeypump
We booked a “non-festival” of sorts, a week across a few venues to highlight all the different stuff going on in Boston. Some shows were at DIY venues, some at proper clubs. The idea was simply that if we put a whole lot of shows together under one name, we could get some of these artists more coverage and attention.
The N.E.S.T. logo was drawn by Ron Regé, Jr.
2005 Lineup:
Abhorred, About, Age Rings, Alek K Redfern, Alex Onslaught, Anderson Comedy, Animental, Aquanet, B.E.A.R.D., Bad Jaime, Badman, Bakula, Beauty Pill, Bent!, Big Digits, Black Forrest Black Sea, Black Helicopter, Blanks, Boston League of Women Wrestlers, Brenden Wesley, Bury the Needle, Certainly Sir, Cheer Accident, Christians and Lions, Clawjob, Colin of USAISAMONSTER, Conquistador, Conversions, Crystal Understanding, Cul de Sac, Dania Shapes, David Day, Diamonds in the Back, Dilly Dilly, Dirty on Purpose, DJ Casey, DJ David Dancer, DJ D'hana, DJ Frank White, DJ Joseph Colbourne, DJ Juan Maclean, DJ Ken, DJ Knife, DJ Morgan, DJ Paul Foley, DJ Sir Loins, DJ Tommee, DJ Yard, Donna Parker, Dust Galaxy, Eggplont, Eli Reed and the True Loves, Ernesto Gianola, Ettrick, Ex Models, Extinction Agenda, Faces on Film, Full Grown Spiders, Future Classics, Geoff Farina, Hallelujah the Hills, Harris, Harry and the Potters, Hats and Glasses, Headband, Heathen Shame, Hekersi, Helms, Hirudinea, Ho-Ag, Hot Lunch, In Black and White, Jana Hunter, Jason Forrest, Judah Johnson, Keith Fullerton Whitman, Kids on T.V., Kites, Lazy Magnet, Legends of Style, Lip Service, Lorna Doom, Mahi Mahi, Major Stars, Make a Rising, Mark E. Moon, Mark Robinson, Matters and Dunaway, Meanings, Mike Joy, Mittens, MMM's Live Archive, Mo Juice Mike Costa, Musk, Neptune, Nicky Click, Noosebomb, Oliver North, Our Lady of Bells, Pants Yell!, Polaris Mine, Ponies in the Surf, Punk Rock Flea Market, Rahim, Reports, Reverand Glasseye and His Wooden Leg, Revocation, Rose Melberg, San Serac, Sheperdess, Shrinking Islands, Snakes Say Hiss, Square Productions, Squids, Steve Brodsky, Sweet Theives, Thalia Zedek, The Abraham Lincoln Brigade, The Beat Awfuls, The Body, The Chinese Stars, The Desert Sea, The Elephants, The Hidden, The In Out, The Konks, The Pill, The Student Council, Tiny Hawks, Tony Gong, Traniwreck, Tristan da Cunha, Truth Serum, U.V. Protection, USAISAMONSTER, Varietae, Victory at Sea, Villains, VJ Matt Boch, Volatile , Watchmaker, Well I Never and the I (Do) Declares, Why Twist the Hair, Yoni Gordon
Media Sponsor: The Boston Phoenix
As part of NEST 2005, we produced a CD sampler of 20 local bands: Ringers, Toxic Narcotic, Night Rally, Mad Man Films, U.V. Protection, Ho-Ag, Tunnel of Love, Plunge Into Death, Mittens, Wildlife, Chinese Stars, Black Helicopter, Shanghai Valentine, Roh Delikat, Magic People, Devil Music, Certainly Sir, Purity’s Failure, Reports, and The Mules. I believe 1,000 or so were pressed by The Boston Phoenix and distributed around the city leading up to, and during the week’s events. You can listen to it right here.
2006 Lineup:
40 Watts, Achillies, Alek K Redfern and the Eyesoars, Animal Hospital, As Long as We're All Living We're All Dying, B.E.A.R.D., Badman, Big Bear, Black Helicopter, Blacktail, Bones Brigade, Bread and Roses, Brown Bird, Cassette, Certainly Sir, Cornucopia, Crank Sturgeon, Crystal Cocks Over Canada, Devil Music, Disappearer, DJ Caulder, Juan Maclean, DJ Ken, DJ P , DJ PTVN, Donna and Kate, Ed Gein, Electrosocial, Fat Worm of Error, Fatal Flying Guilloteens, Fiasco, Fruit Salad, Get Killed, Get Smart, Ghetto Fighters, Goat of Arms, Hats and Glasses, Hivemind, Ho-Ag, Isolee, Jacob Berendes, Jason Anderson, Karlheinz, Kayo Dot, Khanate, Landing, Luasa Raelon, Mad Man Films, Made in Mexico, Magic People, Mahi Mahi, Major Stars, Mark Robinson, Meli, Minamata, Mittens, Night Rally, No Idols, Nurse and Soldier, Octave Museum, Organelles, Pants Yell!, Parts and Labor, Piles, Plunge into Death, PosiXforce, Pragnus Grey, Presley, Protokoll, Punk Rock Flea Market, Purity's Failure, Rainbow Bright, Ramona Cordova, Raw Radar War, Regeneration Records, Reports, Ringers, Roh Delikat, Shanghai Valentine, Shore Leave, Sinaloa, Soul-le-lu-jah, The 9 Billion Names of God, The Butcherings, The Carslile Sound, The Chinese Stars, The Gossip, The Hound, The Invisibles, The LUVs, The Mules, Oxford Collapse, The Pill, The Reputation, The Sanguine, The Teeth, The Westward Trail, They and the Children, Throne of Blood, Tigersaw, Tiny Hawks, Titty Cakes, Toxic Narcotic, Travers, Tunnel of Love, U.V. Protection, Victory at Sea, We Are Wolves, Where Are You From? Are You in School?, Wilderness, Wildlife, x-04, Yoni Gordon
Media Sponsor: The Weekly Dig
Venues
Great Scott (2005, 2006)
O'Brien's Pub (2005, 2006)
P.A.'s Lounge (2006)
The Middle East (Corner)
T.T. The Bears (2006)
The Middlesex Lounge (2005, 2006)
The Cyclorama (2006)
ZuZu (2005) The Midway Cafe (2006)
The Milky Way Lounge (2006)
YWCA (Central Square) (2006)
Massachusetts Art (2005, 2006)
Northeastern University (2005)
Regeneration Records (2005)
Chez Vous (Skate Rink) (2006),
The Brattle Theatre (2006)
Jacque's Cabaret (2006)
Partners
Mass Art Eventworks (2005, 2006)
Alex Onslaught (2006)
Truth Serum (2006)
EXiMiOUS Productions (2005, 2006)
Bodies of Water Arts & Crafts (2005, 2006)
Hot Lunch (2006)
The Student Council (2006)
The Pill (2005, 2006)
The Plan (2005, 2006),
The Dear John Letter Lounge (2006)
Bent! (2006)
Ernesto Gianola (2006)
MUSK (2006)
Honeypump (2005)
Varietae (2006)
Corleone Records (2005, 2006),
Square Productions (2005, 2006)
Aquanet (Jamaica Plain) (2006)
Clawjob (2006)
The Milky Way Lounge & Lanes
The Milky Way Lounge & Lanes’ original location had an Italian restaurant, candlepin bowling ally, dance floor, stage, pool table and more all packed into a kind of psychedelic-retro-space themed two-floor space. It was run by two very active / activist minded entrepreneurs, Kathie Mainzer and Carol Downs and for a time in 2006-2008, I was their booking and promotions manager. A lot of great people played here … Dan Deacon, Ariel Pink, These Are Powers, Kingdom, Old Time Relijun; plus parties like Todo Mundo, Dynasty, Shake ‘em Down and Gross Anatomy. Really positive vibes at this place. I miss the pizza.
Bands, bowling, DJs, etc:
Some of the calendars we’d post around the neighborhood:
Land of Metal
Taking place on Tuesday May 10th 2016, LAND of METAL was an evening celebrating the art of local metal maniac Michael Pellew and DUMBO’s LAND Studio & Gallery —The League Education & Treatment Center's unique nonprofit day habilitation program that teaches life skills to adult artists from across the neurological spectrum. On the eve of Pellew’s birthday, LAND of Metal provided one truly Awesome dude with his first concert —in one of New York City's best venues, Saint Vitus.
Natur, defenders of true metal, melted our faces off with a special live set and DJs Brandon Stosuy (Pitchfork) with Kim Kelly, journalist Fred Pessaro, and JD Samson (Le Tigre, Men) DJ’d punk & metal classics throughout the night. Or raffle was hosted by special guest Laina Dawes and the whole night was presented in cooperation with LAND’s Sophia Cosmadopoulos and Matt Murphey, LAND of METAL was produced by Ben Sisto and Duncan Rich.
^ Special thanks to Matt from Vitus getting Michael’s art to Scott from Anthrax a few days later!
About Michael Pellew
Pellew's drawings and sculptures are humorous ruminations on pop culture. His playful line quality and imaginative cultural observations are simple and succinct. With one pass of his hand he can depict joy, humor and clever character. His subject matter is NYC trains and buses, fashion design, “punk funk freaks from the East Village and around the Tri-State area”, and pop portraits of favorite singers and performers. His characters capture a direct sense of style and spontaneity. Pellew’s studio practice is based out of LAND Gallery, a program for artists with dual diagnosis (developmental disabilities and mental illness).
About LAND
LAND studio is a unique nonprofit day habilitation program that teaches life skills through the modality of art. LAND (League Artists Natural Design) was founded in 2005 by the League Education and Treatment Center (LETC) and serves as both studio and gallery for 16 adult artists with developmental disabilities. At LAND, artists develop their skills in a nurturing environment, while their work is marketed to the community in a vibrant and inclusive manner. LAND artists work with painters, sculptors, fiber artists, animators, designers and others who value creative collaboration. LETC is a 501(c)(3) non-profit and internationally recognized agency for evaluation, treatment and education of children and adults with disabilities.
About Natur
Joey Baloney, The Mexicutioner, Dino Destroyer and Tooth are on a mission to destroy false metal. Worshiping at the altar of Seventies and Eighties heavy metal gods, Natur combine the dynamic riffing of early Mercyful Fate, epic arrangements of Seventies-Judas Priest and Manilla Road, the ingenious and quirky storytelling of Roky Erickson and the attitude of classic Motörhead.
About Our DJs & Hosts
Laina Dawes (raffle host) is the author of What Are You Doing Here? A Black Woman’s Life and Liberation in Heavy Metal (Bazillion Points, 2012). A music and cultural journalist, her writings can be found on Cuepoint / Medium, Mtv Iggy, Refinery29, Spin, Wondering Sound, Decibel and other print and online publications.
JD Samson (DJ set) is one of NYC’s most enduring creative forces. Since first capturing the public’s attention in the early 2000’s as a member of the pioneering feminist electro-pop band Le Tigre, Samson has gone on to work in almost every conceivable medium and with partners ranging from Ursula Mayer to Pussy Riot. Her constant dedication to posi vibes has lead to her recurring parties —Pat and Scissor Sundays— being beloved New York City institutions.
Brandon Stosuy (DJ set) is the Director of Editorial Operations at Pitchfork. He is a music curator at MoMA PS1 and the Broad Museum in Los Angeles, and curates Pitchfork's showcases and events, along with the annual Basilica Soundscape Festival in Hudson and the ongoing Tinnitus Music Series. He has a children's book, Music is...., forthcoming on Simon & Schuster in October 2016. He lives in Brooklyn, with his wife and two children.
Fred Pessaro (DJ set) has been an Editor in Chief, writer, DJ, and photographer in various incarnations for as far back as he cares to remember. You've seen his work via NPR, The New York Times, Decibel, Vice, Terrorizer, Brooklynvegan, Time Out, Metalsucks, Invisible Oranges, East Village Radio, Village Voice, Fuse, and more. You have definitely seen him at a lot of shows.
Kim Kelly's (Noisey) writing on heavy metal and surrounding cultures has appeared in the guardian, The Atlantic, Rolling Stone, NPR, The Daily Telegraph, The Chicago Reader, Pitchfork, Kerrang, The Village Voice, Fader, Spin, The Quietus, The Wire, and too many others to count. She's worked as a publicist, a promoter, a touring merchandiser, and a museum docent. She lives for black metal, black tea, and Black Sabbath.
About Saint Vitus
Greenpoint’s Saint Vitus features a big, beautiful black mahogany bar tailormade by and for neighborhood bartenders / goers with an affinity for punk, metal, hardcore, and all things Rock. One of the most welcome additions to the Brooklyn music community in recent memory, the space was masterfully designed and built by Matthew Maddy and regularly hosts the most exciting and relevant shows in town.
Microfortnight
March 30, 2011 at PACS Gallery
A fortnight spans 14 days.
The word “microfortnight” contains 14 characters.
This exhibition showcased the work of 14 artists who’s names are 14 characters.
The exhibition was on display for three-hours and twenty six minutes (14x14/60)
Leah Beeferman
Kevin Driscoll
Kerry Gaertner
Joshua Weibley
Daniel Lopatin
Benjamin Sisto
James Corrigan
Twos and Fours
Jeanette Mundt
S.E. Schoemann
A.K.A. SR PALM
Pierre Le Hors
Bennett4senate
Bryce Hackford
Linger On
Ace Hotel Downtown Los Angeles, Room 1006
929 South Broadway, Los Angeles CA 90015
Tuesday January 20, 2015
Pale Blue Dot is a photograph of planet Earth taken on February 14, 1990. One night while staying at Ace Hotel in LA for work, I was thinking about it and decided to turn my room into a small one-day only exhibition in honor of the photo. I did so using only materials found in-room, with two exceptions. One, the leaf was actually found outside my room on the window ledge of the 10th floor. Second, I borrowed a projector from the hotel to shoot onto the window curtain. Two aspects of the installation are not documented here: a sound recording of the hotel room’s key-lock “beep” slowed down 400% and the room temperature, which was set to be very cold.
Works in this show:
Leaf
Ribbon
Can in the Mirror
Epoch of Recombination
Interior Lighght
Sarsen PDX
Gemini is in the House
Helmy in Panama
And a few untitled things
Llandsscapes
Second Life Screenshots, roughly 2004
Not Really Confident
Looking at Abstract Art with Microsoft CaptionBot, April 17-28 2016
An excerpt appears in CLOG (2018)
For Not Really Confident, I've run 267 images of abstract art through CaptionBot (© Microsoft 2015), an image caption-generating AI that came online late March 2016. In CaptionBot's "own" words, "[I] was created to showcase some of the new capabilities of Microsoft Cognitive Services. These new capabilities are the result of years of research advancements ... Specifically, I use Computer Vision and Natural Language to describe contents of images. I am still learning, so sometimes I get things wrong."
My starting place was this list of abstract painters on Wikipedia; most images of the artworks themselves were found using Google's image search. I was familiar with maybe 15% of the artists in advance, and selected images by looking at several works by each and trying to find a decent example that summed up a main body of work, or style. Images were downloaded, then uploaded to CaptionBot for processing. You can also provide CaptionBot with an image's URL, but I opted for the upload route on the off chance the AI might search the contents of related pages for context-clues. I then took screen shots of the resulting captioned-images and organized all the before / afters into some shared folders.
As the process went on, I thought of some related works (poems, exhibition strategies, etc) which you can see under the Ideas section above. If you have any corrections, questions, or ideas shoot me an email.
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